{"id":3662,"date":"2025-10-13T13:35:35","date_gmt":"2025-10-13T13:35:35","guid":{"rendered":"https:\/\/museosdealicante.com\/contexto-vanguardia-7\/"},"modified":"2025-10-13T13:35:35","modified_gmt":"2025-10-13T13:35:35","slug":"contexto-vanguardia-7","status":"publish","type":"post","link":"https:\/\/museosdealicante.com\/va\/contexto-vanguardia-7\/","title":{"rendered":"Contexto vanguardia 7."},"content":{"rendered":"
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El MACA, expone dos obras de la artista Sonia Delanunay perteneciente a los fondos del Instituto Valenciano de Arte Moderno (IVAM), dentro del di\u00e1logo entre colecciones que se entabla desde 2021 en el programa \u201cContexto Vanguardia\u201d. Las obras se podr\u00e1n contemplar hasta enero de 2026.<\/p>\n

Delaunay Terk \/ Cendrars
La Prose du Transsib\u00e9rien et de la petite Jehanne de Francis, 1913
Carpeta con dibujos originales de Sonia Delaunay y texto de Blaise Cendrars
Medidas: 42,8 x 52,8 x 3 cm<\/p>\n

Sonia Delaunay (Delaunay Terk, Sonia)
Untitled (projet de tissu simultan\u00e9 n.\u00ba 34), 1925
Tinta y acuarela sobre papel Canson & Montgolfier
Medidas: 47,5 x 27 cm<\/p>\n

Su inter\u00e9s por el arte, al que se aficiona a trav\u00e9s de una importante colecci\u00f3n familiar, le lleva a estudiar dibujo en Karlsruhe, formaci\u00f3n que completa en la Acad\u00e9mie de la Palette de Par\u00eds en 1905, ciudad en la que tambi\u00e9n aprende la t\u00e9cnica del grabado. En su primera individual, celebrada en la Galerie de Notre-Dame-des-Champs en 1908, expone una obra muy colorista, proveniente de Van Gogh y los fauves, que tras conocer a Robert Delaunay recoger\u00e1 las influencias de Rousseau. Junto a aqu\u00e9l explora la v\u00eda del simultane\u00edsmo. Aunque inicialmente emplea el collage y t\u00e9cnicas textiles como campos de experimentaci\u00f3n, en 1912 pinta sus primeros Contrastes Simult\u00e1neos, en los que ya maneja un lenguaje pl\u00e1stico que, animada por un concepto de integraci\u00f3n \u2013simultaneidad- de los diversos modos de expresi\u00f3n art\u00edstica y de \u00e9stos con la vida, traslada a todos los campos de su producci\u00f3n: ilustraci\u00f3n \u2013destaca su colaboraci\u00f3n con el poeta Blaise Cendrars (Les P\u00e2ques \u00e0 New York, La Prose du Transsib\u00e9rien)-, moda \u2013realiza las primeras pendas simult\u00e1neas-, dise\u00f1o de objetos dom\u00e9sticos y publicidad. En 1914 firma la serie Prismes \u00e9lectriques (Prismas el\u00e9ctricos), que define plenamente su est\u00e9tica. Los a\u00f1os de la guerra los pasa en Portugal \u2013pinta naturalezas muertas, paisajes y retratos, que expondr\u00e1 en 1920 en Der Sturm- y en Espa\u00f1a, donde consolida su prestigio como dise\u00f1adora, a lo que contribuye la realizaci\u00f3n de los vestuarios del ballet Cleopatra de Diaghilev y de Aida para el Liceo de Barcelona. A su vuelta a Par\u00eds ya en 1921, su estrecho contacto con los grupos dada\u00edstas y surrealistas queda reflejado en sus cortinas-poema, vestidos-poema y sus colaboraciones con Tzara, trabajos que, entre otros de car\u00e1cter m\u00e1s industrial, produce a partir de 1924 a trav\u00e9s de su Atelier Simultan\u00e9, con el que comienza su colaboraci\u00f3n con el modisto Jacques Heim. Tras su cierre en 1931, aunque publica diversos escritos sobre moda, se concentra en la pintura \u2013destaca su trabajo junto a Robert Delaunay en la Feria Mundial de Par\u00eds de 1936, a\u00f1o en que tambi\u00e9n realiza la escultura de ne\u00f3n Zig-Zag- complementando, en la segunda mitad de la d\u00e9cada, creaci\u00f3n con difusi\u00f3n de la abstracci\u00f3n a trav\u00e9s del grupo Nouvelles R\u00e9alit\u00e9s, cuyo esp\u00edritu tratar\u00e1 de mantener despu\u00e9s de la guerra. Tras \u00e9sta se abre un vasto periodo de producci\u00f3n en el que compagina dise\u00f1o, especialmente de moda, pintura y litograf\u00eda, con la difusi\u00f3n de su obra \u2013hasta 1953 no repite individual en Par\u00eds en la Galerie Bing-, dos a\u00f1os antes de su primera exposici\u00f3n en EE.UU. y con la memoria del legado art\u00edstico de Robert.<\/p>\n

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source<\/a><\/p>","protected":false},"excerpt":{"rendered":"

El MACA, expone dos obras de la artista Sonia Delanunay perteneciente a los fondos del Instituto Valenciano de Arte Moderno (IVAM), dentro del di\u00e1logo entre colecciones que se entabla [\u2026]<\/span><\/p>\n","protected":false},"author":4,"featured_media":3663,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-3662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-maca"],"yoast_head":"\nContexto vanguardia 7. - 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